Rita Barnard, Ph.D.
Director, Comparative Literature Program; Professor of English and Comparative Literature
Rita Barnard received her Ph.D. from Duke University and is currently Professor of English and Director of the Undergraduate Program in Comparative Literature at Penn. She holds a secondary a position as Extraordinary Professor at the University of the Western Cape and has been a Visiting Professor at Brown University and a Mellon Distinguished Lecturer at the University of the Witwatersrand. For many years, she served as Director of Penn’s Women’s Studies Program and the Alice Paul Center for Research on Women, Gender, and Sexuality. Her scholarly interests lie in modernism and global modernities, South African literature and cultural studies, modern American literature (especially the literature and cultural politics the 1930s), contemporary cinema, and the novel as genre. In 2005 she received the Lindback Award for Distinguished Teaching, Penn’s highest teaching award, and, in 2010, the SAS Award for Distinguished Teaching in the School of Liberal and Professional Studies.
Rita Barnard is the author of The Great Depression and the Culture of Abundance (Cambridge University Press, 1995) and Apartheid and Beyond: South African Writers and the Politics of Place (Oxford University Press, 2006). She is the editor of The Cambridge Companion to Nelson Mandela (Cambridge University Press, 2014) and (along with Andrew van der Vlies) South African Writing in Transition (Bloomsbury Academic, 2019). She is working on two books, South African Modernisms: Histories, Forms, Things and Postapartheid Cinema and Society, as well as a film, Imploding City. Her published essays, which cover a range of subjects in the broad field of twentieth-century literature and culture, have appeared in journals like American Literature, American Literary History, Cultural Studies, Contemporary Literature, Interventions, Modern Fiction Studies, Novel: A Forum on Fiction, and Research in African Literatures. Barnard is also a contributor to several edited collections, including Contemporary Revolutions, Modernism, Postcolonialism and Globalism, Senses of Culture, Writing South Africa, The Big Bad Bitterkomix Handbook, Beautiful Ugly: African and Diaspora Aesthetics, Modernism and Colonialism,and the Cambridge Companion to American Modernism, for which she wrote the chapter on modern American fiction.